Choosing the right gimbal for the iPhone 17 series means balancing features like tracking accuracy, payload capacity, battery life, and portability. With the latest iPhones offering powerful camera systems, optical stabilisation, and high-resolution video, a gimbal boosts those capabilities to produce truly cinematic shots. Below are three leading gimbals currently making waves: the Comitok Mogo, the Feiyutech Scorp Mini 3 series, and the Hohem iSteady V3 Ultra. Each shines in different ways, so understanding what each one offers will help you pick the best for your shooting style.
1. Comitok Mogo Gimbal Stabilizer
The Comitok Mogo is built specifically for iPhones. It is Apple MFi certified and designed to integrate closely with iOS features. Magnetic mounting and NFC pairing simplify setup: no complicated balancing or clip adjustments are needed. Native face tracking via Apple DockKit adds smooth and responsive subject tracking in both video and live environments. A standout feature is its compatibility with Apple Watch controls—users can switch cameras, zoom, start/stop recording, and track subjects all from their wrist.
Mechanically, the Mogo offers true 3-axis stabilization, with 360° tracking capability so it can follow subjects through full pan motions. It has an efficient anti-shake motor system and a foldable portable design. The max payload is rated around 280 grams, so it can easily handle an iPhone 17 with a case or light accessories. Battery life is solid for its size, and it supports OTA (over-the-air) updates, which promises long-term feature improvements. For creators using the iPhone ecosystem heavily, especially those focused on face / subject tracking and seamless integration, the Mogo provides a polished option with minimal fuss.
2. Feiyutech Scorp Mini 3
The Feiyutech Scorp Mini 3 line (including the Pro and the Kit versions) is much more ambitious in terms of power, payload, and versatility. With a maximum payload of about 2 kg, these gimbals can handle not only smartphones like the iPhone 17, but also mirrorless cameras, compact setups, and action cams, making them suitable for mixed gear usage. The Kit and Pro versions provide durability and plenty of control via a 1.3-inch touchscreen, fast response AI tracking (tracking module built-in), and advanced stabilization algorithms.
Battery life is very impressive, up to 14 hours under optimal conditions, with full recharge achievable in around 3 hours using a fast charger. The gimbal supports full 360° pan, wide tilt and roll angles, and includes gesture controls for starting or stopping tracking or recording. The mechanical design includes ergonomic features like an underslung handle, which helps when doing low-angle shots or extended use. While this rig is heavier and less pocket-friendly compared to purely smartphone-only stabilizers, for anyone planning more serious filming—such as mixing an iPhone with heavier lenses or needing longer continuous shooting—the Scorp Mini 3 offers a strong performance.
3. Hohem iSteady V3 Ultra
The iSteady V3 Ultra by Hohem focuses on combining portability with advanced AI tracking and remote control functionality. Its payload capacity is about 400 grams, which comfortably supports the iPhone 17 (even with some accessories) while remaining compact. It folds down to around 16 × 9.8 × 4.4 cm and weighs about 428 grams—while not ultra-light, still manageable for travel or casual shooting.
What sets it apart is a detachable touchscreen remote: a small 1.22-inch controller that works up to ~10 meters away. It displays live feed from the AI tracker, gives control over framing, and lets you adjust settings without touching the phone. There’s also a built-in 3-color adjustable fill light in the AI tracker module, an 8-inch extension rod, and a built-in tripod. Battery life is quoted at up to nine hours under balanced use, and somewhat lower when using both AI tracking and the fill light. Stabilization is driven by the iSteady 9.0 algorithm. A potential downside is motor noise which can sometimes be picked up by the phone’s microphone during recording, so for critical audio work one might consider external mics.
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